A research project speculating about climate crisis, labor, and transpacific migration through a soft embodied archive
The DXARTS SoftLab is a studio and an online platform whose mission is to examine the role of workmanship in artistic research, to redefine the use of crafting in the post-digital era, and to explore the body as an interface of control and resistance. It is part of the Department of Digital Arts and Experimental Media (DXARTS) at the University of Washington in Seattle.
All tagged wearables
A research project speculating about climate crisis, labor, and transpacific migration through a soft embodied archive
Virtual artist talk by Jess Rowland on flexible embedded circuitry for sound composition, paper speakers, and interactive graphic scores.
Virtual artist talk by Ioana Vreme Moser on the pathway of an ex-ballerina through fluid computers, plant espionage, cosmetic synthesisers and electronic lollipops.
Virtual artist talk at VCU (Virginia Commonwealth University) Arts Department of Kinetic Imaging
Online event curated and moderated by Abby Aresty and Rachel Gibson at SEAMUS 2021 (Society for Electroacoustic Music in the United States), with the participation of Patricia Cadavid, Jess Rowland, Sam Topley, Asha Tamirisa and Afroditi Psarra
A project which explores the translations of sign language into light via a gestural interface.
An e-textile piece exploring environmental racism along the LA river
Responding to current concerns about the ubiquity of voice assistants, this artistic research by Afroditi Psarra, Audrey Desjardins, and Bonnie Whiting, focuses on building a series of performative artifacts that aim to challenge AI and ML technologies, and to examine automation through the prism of “ghost work” that constantly support these systems.
Aftermath of the ISWC (International Symposium of Wearable Computers) and the Textile Intersections Conference, that took place in London, UK, on Sept 11-13 and Sept 12-14, 2019 accordingly.
An introductory workshop on the world of e-textiles and soft-circuits at S1 Synth Library in Portland.
On June 6th 2019, Isabel Nelson and several other students from the DXARTS 490 E-textiles and Wearables for Art and Design course, as well as other emerging designers from the University of Washington got together to produce Hypnotica, a wearable tech fashion show at the project space Hyena Culture in downtown Seattle, at the historic Pioneer Square district. The event was entirely self-organized and combined fashion, light art, sound and performance art and was presented through an exciting runway show that showcased the work of Taylor Hammes, Aashna Dev, Aarohi Bhaway, Atari Women, Esther Lin, Helen Mirabella, Grace Barar, Stevie Koepp, Kennedy Buriani, Rebby Montalvo, and of the main organizer Isabel Nelson.
On June 2019, in the fourth edition of DXARTS 490A: E-textiles & Wearable studio class, students presented their final project prototypes through a pop-up exhibition at the DXARTS Fablab in Ballard.
Listening Space is an artistic research that was born during the eTextile Spring Break camp event that took place in upstate New York at the beginning of April 2019. Following their previous explorations of ecologies of transmissions and wanting to experiment with Software-Defined Radio, Afroditi Psarra and Audrey Briot setup a DIY satellite tracking station and aimed at intercepting the NOAA weather satellite audiovisual transmissions. During the course of three days, they observed five satellite passes, intercepted successfully three transmissions and decoded the audio signals into images which they later knitted in order to create a textile archive of the transmissions. The project recently won the Bergstrom Art & Science Award at the University of Washington and will be developed further in the course of the next academic year 2019/20.
Continuing her research into textile antennas and fractal geometry as a means to detect radio-frequency (RF) transmissions, in Embodied RF Ecologies, Afroditi Psarra aims speculate about the body as an agent of power in a post-capitalist world, and to re-interpret transmission technologies through handmade crafting techniques.
On Wednesday, April 3rd 2019 we had the amazing opportunity to host at the DXARTS 490: E-textiles & Wearables for Art & Design, the Italian interaction designer Giulia Tomasello talking about her work in the field of biohacking, harvesting and women’ s health, as well as the Chilean artist and performer Constanza Piña, presenting her work with wearables and sound through a DIY electronics and traditional crafting perspective.