Virtual artist talk by Jess Rowland on flexible embedded circuitry for sound composition, paper speakers, and interactive graphic scores.
The DXARTS SoftLab is a studio and an online platform whose mission is to examine the role of workmanship in artistic research, to redefine the use of crafting in the post-digital era, and to explore the body as an interface of control and resistance. It is part of the Department of Digital Arts and Experimental Media (DXARTS) at the University of Washington in Seattle.
All tagged sound art
Virtual artist talk by Jess Rowland on flexible embedded circuitry for sound composition, paper speakers, and interactive graphic scores.
Virtual artist talk by Ioana Vreme Moser on the pathway of an ex-ballerina through fluid computers, plant espionage, cosmetic synthesisers and electronic lollipops.
Online event curated and moderated by Abby Aresty and Rachel Gibson at SEAMUS 2021 (Society for Electroacoustic Music in the United States), with the participation of Patricia Cadavid, Jess Rowland, Sam Topley, Asha Tamirisa and Afroditi Psarra
An online sound installation between Afroditi Psarra and Stefan Tiefengraber during the COVID-19 lockdown, exploring copper mesh roll, to create antennas and circuits that can pick up and amplify the electromagnetic transmissions of our intimate spaces in Seattle and Linz.
An introductory workshop on the world of e-textiles and soft-circuits at S1 Synth Library in Portland.
Listening Space is an artistic research that was born during the eTextile Spring Break camp event that took place in upstate New York at the beginning of April 2019. Following their previous explorations of ecologies of transmissions and wanting to experiment with Software-Defined Radio, Afroditi Psarra and Audrey Briot setup a DIY satellite tracking station and aimed at intercepting the NOAA weather satellite audiovisual transmissions. During the course of three days, they observed five satellite passes, intercepted successfully three transmissions and decoded the audio signals into images which they later knitted in order to create a textile archive of the transmissions. The project recently won the Bergstrom Art & Science Award at the University of Washington and will be developed further in the course of the next academic year 2019/20.
Continuing her research into textile antennas and fractal geometry as a means to detect radio-frequency (RF) transmissions, in Embodied RF Ecologies, Afroditi Psarra aims speculate about the body as an agent of power in a post-capitalist world, and to re-interpret transmission technologies through handmade crafting techniques.
A symposium organized by Sareeta Amrute, Audrey Desjardins, Afroditi Psarra, Daniela Rosner and Phillip Thurtle with keynote talks, round tables, workshops and performances by Morehshin Allahyari, Trinh Mai, Sarah Zewde, Nais Dave, Kalani Young, Azzurra Cox, Gabriel Dattatreyan, Nia Easley, Giulia Tomasello, Juno Parrenas, Doenja Oogies, Nisi Shawl and Constanza PiƱa.
This wearable synth was inspired by the complexity of human emotions in conjunction with the comfort of human touch. Housed in a weighted sweater, the user experiences a subtle pressure on their shoulders, while the instrument is being played. Mimicking the feeling of being hugged, the user can squeeze the arms of the sweater, actuating the pressure sensors, intern synthesizing tones.
An on-going collaboration between DXARTS professor Afroditi Psarra and choreographer Stephanie Liapis on e-textiles and dance improvisation taking place at Velocity Dance Center in Seattle.